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THOMAS CAMPION


Rubens. Lute Player. Early 17thC.
Rubens. Lute Player. Early 17thC.
Musée des beaux-arts de Troyes, France.


Two Bookes of Ayres:
The Second Booke.


III.

Harden now thy tyred hart, with more then flinty rage ;
Ne'er let her false teares henceforth thy constant griefe asswage.
Once true happy dayes thou saw'st when shee stood firme and kinde,
Both as one then liu'd and held one eare, one tongue, one minde :
But now those bright houres be fled, and neuer may returne ;
What then remaines but her vntruths to mourne ?

Silly Traytresse, who shall now thy carelesse tresses place ?
Who thy pretty talke supply, whose eare thy musicke grace ?
Who shall thy bright eyes admire ? what lips triumph with thine ?
Day by day who'll visit thee and say ' th'art onely mine ' ?                     10
Such a time there was, God wot, but such shall neuer be :
Too oft, I feare, thou wilt remember me.






Excerpt from the album A Song for my Lady:


For the direct .MP3 file, click here.



Text source:
Campion, Thomas. Campion's Works. Percival Vivian, Ed.
Oxford: Clarendon Press, 1909. 133.






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Sir Walter Ralegh
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Thomas Campion
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Persons of Interest
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Pico della Mirandola
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Images of London:
London in the time of Henry VII. MS. Roy. 16 F. ii.
London, 1510, earliest view in print
Map of England from Saxton's Descriptio Angliae, 1579
Location Map of Elizabethan London
Plan of the Bankside, Southwark, in Shakespeare's time
Detail of Norden's Map of the Bankside, 1593
Bull and Bear Baiting Rings from the Agas Map (1569-1590, pub. 1631)
Sketch of the Swan Theatre, c. 1596
Westminster in the Seventeenth Century, by Hollar
Visscher's Panoramic View of London, 1616. COLOR



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